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What if we sent freighters instead of frigates?
In a universe run by corporations, where profit matters more than life, how can an orphan with no skills, no money, and no prospects survive?When Ishmael Wang's mother dies in a senseless accident, he's given a choice. Leave the planet on his own or the company will remove him. To avoid deportation, Ishmael finds work as a mess deck attendant on an interstellar freighter.

Find out what Ishmael must do to earn his Quarter Share.

• Sales Rank: #427203 in Books
• Published on: 2013-08-09
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .51" w x 6.00" l, .67 pounds
• Binding: Paperback
• 224 pages

Review
"Incredibly realistic. You would swear Mr. Lowell was writing a personal history of his youth on a deep space cargo ship. Stunningly eloquent and crisp prose takes you on a journey of discovery reminiciant of Dana s classic Two Years Before The Mast. Only Dana had the advantage of taking such a voyage, Lowell will just make you believe he did, and with this book, he invites you to go with him." --Michael J. Sullivan, author of The Riyria Revelations

"Quarter Share is a love letter to science fiction, an authentic coming-of-age celebration of blue collar lower decks folk. Nathan Lowell tells a tale so real, you can practically smell the spaceship galley s coffee -- and almost see the engine oil beneath your fingernails. Hero Ishmael is clearly destined for great things. Thankfully for readers, so is Nathan Lowell." --J.C. Hutchins, author of 7th Son: Descent and Personal Effects: Dark Art

"This is a marvelous story, I like coming of age stories and this is a mesmerizing one. It is also a nice change to have an everyday story about a young boy learning the ropes in the mercantile fleet in the 24th century during the golden age of the solar clippers...The characters are at center in story, they are detailed, warm and easy to love. I wouldn t mind at all working on the SC McKendrick it seems a nice place to be in much like the company I work at myself...Quarter Share is a mesmerizing tale of a young man coming of age and finding his place as a crewman aboard a solar clipper...Make sure you have free time and download the book is my recommendation." --Cybermage, Reading & Watching Science Fiction

About the Author

Nathan Lowell has been a writer for more than forty years, and first entered the literary world by podcasting his novels. His sci-fi series, The Golden Age of the Solar Clipper grew from his long time fascination with space opera and his own experiences shipboard in the United States Coast Guard. Unlike most works which focus on a larger-than-life hero (prophesized savior, charismatic captain, or exiled prince), Nathan centers on the people behind the scenes--ordinary men and women trying to make a living in the depths of space. In his novels, there are no bug-eyed monsters, or galactic space battles, instead he paints a richly vivid and realistic world where the "hero" uses hard work and his own innate talents to improve his station and the lives of those of his community.

Dr. Nathan Lowell holds a Ph.D. in Educational Technology with specializations in Distance Education and Instructional Design. He also holds an M.A. in Educational Technology and a BS in Business Administration. He grew up on the south coast of Maine and is strongly rooted in the maritime heritage of the sea-farer. He served in the USCG from 1970 to 1975, seeing duty aboard a cutter on hurricane patrol in the North Atlantic and at a communications station in Kodiak, Alaska. He currently lives in the plains east of the Rocky Mountains with his wife and two daughters.

Most helpful customer reviews

40 of 42 people found the following review helpful.
Good Read
By Michael Gallagher
This was my original review of the Ridan version of this book. Now that Mr. Lowell has republished this under his own imprint, I am also posting it here as this is a good book and series:

This isn't your typical space science fiction novel with shoot ups and conflicts against other races or civilizations, but it focuses in on the life of a few lower-level characters as they travel through space. It has some charm and appeal, with good interplay between the characters. If you're looking for the space battles and conflicts that are typically in the best selling ranks fo the science fiction category, you will be disappointed. However, if you are looking for a good tale to read, this one should be on your reading list. I'm off to buy the second one in the series.

As a follow-up to the original review:

I have read each book in the series. If you like a coming of age tale under a science fiction banner, I highly recommend you starting with this one and reading them all!

168 of 192 people found the following review helpful.
The Heart of Classic Science Fiction
By Scott Pond
I originally "read" Quarter Share, by Nathan Lowell, in the original podiobook format. I, like many of Nathan's fans, are eagerly awaiting the print release of his fantastic story (and the rest of the 'Golden Age of the Solar Clipper' series) so that I (we) can delve into his fantastic story again (and again).

If I can give you my quick and dirty recommendation: GIVE THIS ONE A TRY NOW!

It is a fantastic story that will resonate with you long after you have read the last word. It is a refreshing break from mainstream, "shoot-em-up and save the galaxy in time for dinner" science fiction, showing us the real, human side of our potentially bright future. If you like classic Heinlein (such as the Rolling Stones, Farmer in the Sky, Citizen of the Galaxy), then this one is definitely up your alley.

Here's my longer, more detailed recommendation:

Quarter Share is not your typical futuristic sci-fi story. It is not a story based on waring nations or individuals bent on conquest or domination, so it does not easily fit into the mold of what many of us have come to expect from the sci-fi genre. Instead, it breaks the mold by concentrating on the life and experiences of what Nathan refers to as the "common man". Truthfully, as I started listening to this, at first I was very sceptical of this type of sci-fi story for the first couple chapters and was very unsure of where it was going. Then without really realizing it, I was fully immersed in the story and found that I was very interested in where Ish (the main character) was going to end up in his life, or at least where he was going to be by the end of the story... and I couldn't stop listening.

It was a strange transition for me--having come to expect conflict and danger and "bigger than life" for the majority of my sci-fi "hero" characters I normally get into--to suddenly be draw so completely into a story about the simple, average, and often repetitive everyday struggles of a common person. By the end of the story, I was more invested emotionally and more interested in the small victories that these common characters were able to accomplish throughout the story than I honestly expected I'd be... in fact, I find that the characters in this story have resonated and stuck in my mind more than most of the other sci-fi books I have read (and I've read hundreds of sci-fi books over the last 25 years). Don't get me wrong, I love a good action oriented hero story set in the sci-fi genre as much as anyone else... it's just that this one is so unlike those other storytelling methods that I thoroughly enjoyed Nathan's Quarter Share as much, if not more, than those mainstream offerings... just in a very different, more meaningful manner.

The story revolves around Ishmael Wang (pronounced "wong" as in "gong"), known as Ish to his friends and intimates, a young man who is growing up on a corporate-owned planet. After his mother dies in a tragic (fateful) flitter crash, Ish is suddenly thrust into the real world when he is notified that he must vacate the planet (since he is not a company employee), forcing him to make some quick and difficult decisions about his potential future. A young man with no real marketable skills (or so he believes) and no idea where his future lies, Ish lands a job as a low level crew member (with a "quarter share" of the ship's profits) on an interstellar solar clipper called the Lois McKendrick. Ish begins to see a brighter future unfold where once he had little interest or premonition of his future, as he begins to learn the ins and outs of shipboard life. The story conveys the normal trials and tribulations of a young sailor on an interstellar trading vessel as he finds his place in the grand scheme of things and starts planning to have an active role in the development of his future... with potentially very lucrative results.

My overall recommendation is to give this story a try, no matter what your preconceived notions of the sci-fi genre are. Leave your normal sci-fi genre expectations at the airlock and travel a bit with Ish, Cookie, Pip, Big-Bad Bev, Mr. Maxwell, and the rest of the Lois crew as they travel the known trading routes in search of profit. This one is well worth the time! You won't be sorry.

51 of 61 people found the following review helpful.
Utopia on a cargo ship.
By FileNotFound
I read this book in two sittings, and I have to admit that I did not find it boring as many claimed it is. Yet at the same time I have to agree that nothing exciting happened. There is no conflict, no struggle, no barriers to overcome. It's hard for me to give this book a 5 star rating when it could have been so much better if things did not go so smoothly. In fact, there are a total of two unfortunate events: Ish's mother dying and Pip getting mugged. Everything else that happens is all joy and flowers. The crew are rolling in money, they all get along, drink tasty coffee and eat yummy pastries. The End.

The ship is just, well too good to be true. Yes, the author served in the USCG, and it's clear from some of the descriptions of the ship life that he drew on that experience, but I can tell you with absolute certainty that I have never been on a US NAVY ship on which everyone got along and nobody has any issues. You pack people in such a confined space for months at a time, every issue, no matter how small, gets dragged out to the surface and becomes a public matter and problem.

How much better would this book be if Bev was in fact a total bitch who hated Ish? Maybe she has a drug problem that she is dealing with. Maybe she has a past she's trying to deal with. Maybe eventually she'd get to like Ish...maybe not. What if Pip didn't just trade in legal goods? What if Pip's connections are far from legal? How about if Cookie was less of an uncle figure? What if the captain was just a little bit more detached in what the mess deck greenies are doing? What if Ish constantly struggled with depression and did not feel a near instant sense of belonging on the ship?

After writing this I almost feel like I should give the book LESS than 3 stars, but the truth is that despite the flaws, the book is an enjoyable and easy read and I have moved on to the second book - although with far lowered expectations.

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[L860.Ebook] Download Ebook White Is for Magic (Stolarz Series), by Laurie Faria Stolarz

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A year has passed since Stacey Brown saved her best friend from a horrible death. Now she's having nightmares again, haunted by ghosts of the brutally murdered . . . and by a crazed stalker. As she desperately casts healing spells, a new student named Jacob enters her world. Beautiful and mysterious, he reveals that he is also having dreams. To stop a killer, they must join together. But can Jacob be trusted? Or will this new love cause her darkest dreams to come true?Don't miss a single book in the series:Blue is for NightmaresWhite is for MagicSilver is for SecretsRed is for Remembrance

• Sales Rank: #386559 in Books
• Brand: Llewellyn Publications
• Published on: 2004-05-08
• Original language: English
• Number of items: 1
• Dimensions: 8.02" h x .86" w x 5.26" l, .67 pounds
• Binding: Paperback
• 301 pages

Features

• Great product!

About the Author

Laurie Faria Stolarz (Massachusetts) has a great interest in teen culture, and admires young adults for their passion, energy, and creativity. Blue is for Nightmares is the product of her desire to write a novel that would have appealed to herself at that age, namely one that has a blending of suspense, romance, and the art of keeping secrets.

Stolarz has an MFA in Creative Writing with a concentration in Young Adult Literature from Emerson College in Boston. She currently teaches writing and is a member of the SCBWI as well as several professional writing groups.

Excerpt. � Reprinted by permission. All rights reserved.

One


It's happening again.

The bile at the back of my throat burns. I swallow it down and wipe my bottom lip. My head feels like it's cracking open, like an archeologist is trapped inside, chipping away at the bones of my skull. I lean back against the cold ceramic wall tiles and try to hold it all together-the puking, the headaches, the nightmares, my sanity.

My world is falling apart. I stand up from the toilet and stumble over to the mirror. My eyes are red, the skin beneath them a dark, smoky color. I reknot my hair with a rubber band, noticing my chin-wet from puke spooge. I wipe the goo with my fingers as best I can and tuck the stray strands of dark hair behind my ears. What I really need right now is a hot bath, but the knocking in my head is so intense I want nothing more than to just lie down.

After a thorough toothbrushing and several gargles of mouthwash, I stagger my way back through the common area and into the room. Drea and Amber, my roommates, are asleep. I know I could wake them up, that they'd want to know what's going on-especially after last time-but I almost don't even want to know myself. Not tonight, anyway. I grab a lipstick from Drea's vanity table and the notepad from beside my bed. I flip the notepad open to a fresh sheet and write the letter M across it in the dark-red lipstick, trying my best to make it look smudged, messy-the way it did in my nightmare.

I rip the page free of the pad and stuff it into the pocket of my pajamas. Then I lie back on my bed and pull the covers up over my ears to block out Amber's snoring. But I still feel sick, the juices in my stomach churning away, bubbling up like molten lava. There's only one way I'm going to get any rest tonight.

From my spell drawer, a.k.a. the bottom drawer of my dresser, I pull out a stick of incense, a virgin black candle, a razor blade, and some other assorted spell supplies, includ- ing a bunch of red grapes courtesy of Drea's mini-fridge. I collect it all inside my terra-cotta pot and stand up to leave. Except my head is throbbing. I sit back down and peek over at Amber and Drea, in their bunkbeds, the light of the waxing moon casting a shadow over Amber on the top bunk. She turns over, but she's still snoring-her mouth arched open, chest heaving, six cherry-red ponytails sticking out from her head. Drea moves her forearm up over her ear in response, her golden-blond hair separated into two perfectly frumpled braids.

I wonder if I should even bother telling them anything. If maybe I'm just overreacting. It's only happened twice now. And Maura's birthday is a week from Saturday. So, maybe that's what's causing it. Or maybe I'm just coming down with the flu.

The terra-cotta pot tucked under my arm, I grab a pocket flashlight from the drawer and make my way out of the room and through the common area. The door to the boiler room is just out in the lobby.

I travel down the dusty wooden steps using the slender beam of the flashlight to guide my way. I know I could flip on the light switch, but the sudden blast of artificial light would only make my head pound more. Instead, I try to make peace with the darkness; I try to imagine it like crushed velvet, enveloping my skin, inviting me further down the creaking stairs and into the boiler room.

It smells musty down here, like leaking pipes. I try to focus on my breath, but for some reason I'm feeling a bit disconnected. Maybe it's because I don't feel well. Or maybe it's because it's been a year since my last bout of nightmares, and a part of me is afraid that, this time, I won't be able to stop it.

I take a deep breath and make my way across the cement floor. There isn't much down here-an old and rattling boiler, a rusty water tank, dorm room furniture in need of repair, and lots of copper pipes that travel along the ceiling. But it's a place where I can be alone, where I don't have to worry about being interrupted or waking anyone up.

I set my supplies down on the altar I've set up-an old computer desk with a crack down the middle-and light the stick of incense. I start with the bunch of grapes. I pass it through the incense smoke, making sure it gets fully bathed in the lavender fumes. I continue charging all the ingredients, concentrating on the long, gray swirls that rise up and wash over my skin, focusing on lavender's ability to soothe.

My stomach gurgles impatiently. I dab my finger with a bit of the oil and touch the top end of the virgin black candle. "As above," I say. Then I touch the bottom, "So below." I touch the center, drag my finger upward, and then run it back down, continuing to moisten the candle's length. When the candle is fully anointed, I hold it around the base and, with the razor, carve Maura's name into the wax surface, my fingers shaking slightly from the mere thought of her.

Of what happened.

Of what this all might mean.

I rotate the candle counterclockwise three times, focusing on the idea of riddance, and carve the words "rest in peace" on the opposite side from her name-so the guilt will die from my conscience once and for all. I light the candle and watch a few seconds as the inky black wax heats up and begins to pool around the wick. Then I take the slip of paper from my pocket and stare down at the M-M for Maura, for Murder, maybe. I really don't know.

I toss it into the terra-cotta pot and then pluck the grapes from their stems. "Maura, Maura, rest in peace," I whisper. "May your haunting spirit finally cease." I toss the grapes into the pot, mash them down with my thumb, and picture the contents of my stomach churning and mixing as the purpley pulp juice smooshes against the tips of my fingers. I chase the grapes with several splashes of peppermint oil, and then mix it all up with my fingers, the minty, candycane scent mingling with the breath of lavender, overpowering the smell of grape juice.

"Maura, Maura, rest at last," I whisper. "You shall not make me repeat the past." I chant the words over and over again, concentrating on the black candle as it begins to burn Maura away. I concentrate on the mint coating my stomach, soaking up the grape.

After meditating on the spell for several minutes, I hold my watch up to the candlelight-it's 4:05. I'll take the candle back to my room and set it by my bed so it has time to burn down completely. I smother what's left of the incense, spoon the mint and grape mixture into a plastic sandwich bag, and collect everything inside the pot. Thankfully, I feel my stomach begin to ease. Maybe now I'll be able to get some sleep.

I grab everything and am just about to make my way back upstairs when I hear a banging noise coming from the corner, by the water tank. "Hello?" I stand up, the wheels of my broken chair squeaking back against the cement. I aim the flashlight out in front of me, but the beam is too narrow to see much in the darkness. I take a few steps toward the tank, noticing the window just behind it is open a crack. There's a shifting against the floor, like someone taking a step.

"Hello?" I repeat. "Who's there?" My hands shake. My heart tightens. I try to tell myself that it's probably just someone who forgot her key. Probably someone who decided to sneak in since the resident director locks the door at midnight.

Closer now. The tank is just a few feet away-just out of reach. "Come out NOW!" "Stacey?" says a male voice from behind the tank. "Is that you?"

My mouth trembles open. I don't know that voice. It's not Chad's voice. Not PJ's, either. It doesn't belong to anyone I recognize.

"Stacey?" he repeats. His shadow on the wall moves toward me. I panic. The flashlight tumbles from my grip, the terra-cotta pot slips from under my arm, and I hear it smash against the floor.

I whirl around and run for the stairs. The sudden motion causes the candle flame to flicker out, leaving me in complete darkness. I can hear him behind me, his feet hitting against the cement floor with each stride.

"Wait!" he shouts. His voice is followed by a clanging sound, like maybe he crashed into something. I trip up the stairs, my chin smacking down against the wooden step, wax dripping on my fingers and burning my skin. I grapple my way up, on hands and knees, toward the boiler room door, but I can't quite find the knob. "Don't run away from me, Stacey." His voice is frantic and insistent.

Wrestling up another step, I impale my knee on something sharp. A nail. A splinter maybe. I hear myself whimper. My stomach turns. Bile coats the insides of my mouth. His footsteps are following me up the stairs. I pull my knee back and hear a cracking sound, like wood. I reach up for the doorknob, this time able to wrap my fingers around it. The knob turns but the door won't open, like something is barring it. Like someone wants to trap me inside.


Two


I twist and turn the knob, pound at the door. "Help!" I shout, over and over again. I pivot as best I can and throw the candle-hard-toward his voice. I hear him cry out. I try at the doorknob again. This time it opens. It's Amber; she's let me out. I whip the door closed behind us and grab Amber by the arm.

When we get back to the room the lights are on and Drea is sitting up in bed. "Are you guys all right?" But I'm breathing so hard, my heart pounding like a fist, that I can't answer.

"Stacey's gone completely whacked," Amber says, closing and locking the door behind us. "I found her Nightmare- on-Elm-Streeting in the boiler room. Maybe slasher flicks are not such a nifty idea before bed." "What are you talking about?" Drea asks. "A guy," I say, gaining my breath. "There was some guy down there."

"Who? Freddie Krueger?" Amber giggles. "No," I say. "I'm serious. I don't know who it was. They locked me down there somehow. I was trapped."

"Wait," Drea says. "Start over. What happened?"

"This is what trapped you," Amber says. She plucks a big fat pencil from her pajama pocket. "It was wedged underneath the door. Probably got kicked there by accident." "I'm gonna call Keegan," I say.

Keegan is the resident director in charge of our dorm. She's basically this granola-and-yogurt-eating, Birkenstockwearing throwback from the sixties, complete with yoga mat and tie-dye apparel. But she is a huge improvement over Madame Discharge, the resident director for the underclasswomen dorms.

I pick up the phone, but Amber nabs it and clicks it off before I can dial.

"You're not gonna go all schoolmarm on us, are you?" She holds the phone behind her back.

"What's that supposed to mean?"

"Think about it." Amber twirls one of her mini-ponytails in thought. "It was probably just somebody's juicey downstairs-you know, sneaking in for some cuddle. Wouldn't you be upset if Chad was sneaking in to ladle with you, and someone ratted him out?"

"Don't you mean spoon?" Drea asks.

"Not the way I do it." Amber arches her eyebrows up and down.

"Give me the phone NOW!" I insist.

"Why are you being all wiggy? The boiler room is where everybody sneaks in-guys, guests after midnight, people carrying curious liquids," Amber smiles. "Why ruin everybody's fun by finking to the RD?"

"Maybe I just don't think people should be sneaking in," I say. "Or locking people down in a basement."

"Are you kidding?" Amber says. "One of the benefits of the senior houses is that people can sneak in. Plus, you were penciled in, not locked in. And it was purely an accident." "He didn't try to attack you or anything, did he?" Drea interrupts. "Wait-what happened to your knee?"

I look down. My pajamas are ripped; there's a giant splinter sticking out through the belly of one of the gingerbread- cookie men patterned across the flannel fabric. But my fingers hurt just as much; there are bits of wax caked to the skin. I break one of the leaves off the aloe plant by the window. The clear, syrupy goo oozes from inside the thick, green plant flesh; I apply the goo to the hardened wax droplets to help soothe the burn.

"What the hell happened to you?" Drea moves toward the edge of the bed, her perfectly toned, tanning-bed legs sticking out from a school T-shirt, the giant Hillcrest letters stretched across her chest. She stares at my waxy fingers. "Candle wax," I say. "My candle blew out when I started running."

"You know, Stacey," Amber begins, "your primitive living thing does have its charm, but modern electricity is way cooler."

Amber's sarcasm spares me the trouble of explaining my knee.

"Maybe we should call someone to look around a bit," Drea says. "Just to be sure."

Amber tosses me the phone. "Go ahead if you want, but it was probably just some prank. You know, some Michael- Meyers wannabe, inspired by tonight's horror movie marathon. I don't know what Student Activities was thinking, especially considering we're coming up on the one-year anniversary. Case in point." Amber pulls an envelope from the pocket of her pajamas. It has my name, Stacey Brown, written across the front.

"Not again." Drea rolls her eyes and sinks back in her bed.

"Someone slid it under our door tonight," Amber says, tearing at the seal. "One of the ghost groupies, no doubt." She unfolds the paper and reads the message aloud: "Five days till death."

"Great," I say.

"Oh, and someone's drawn a cute little knife here beside your name." Amber flashes me the ink sketch.

"How is a knife cute?" Drea asks.

"It has a curly handle." Amber points out the stylish detail. "See what I mean? This stupid school is full of immature urchins with nothing better to do."

It's true we've had our share of pranks this year-phone calls, "I'M WATCHING YOU!" notes stuffed in our mailboxes, the occasional hockey mask or pool of ketchup blood left outside our door or window. All because of last year.

Last year, I was having nightmares-nightmares that turned out to be premonitions, forewarning me that Drea was going to be killed. And then all this stuff started happening. Drea was getting these weird phone calls from some guy who wouldn't tell her his name. And then she started getting these notes and packages, telling her he was coming for her. In the end we were able to save Drea from Donovan, a guy she had known since the third grade, a guy we all knew as the one who would be crushing on her until the day he died. Of course, he wasn't the one who ended up dead.

That was Veronica Leeman.




Despite Amber's efforts to convince me that the incidentdown in the boiler room was just another prank, I call Keegan anyway and tell her everything that happened, including the part about the window being open a crack but minus the part about the spell. She tells me that she'll check it out and get back to me. I know there's a chance that Amber might be right, but I honestly don't feel that she is. Why else would I be feeling this enormous sense of d�j� vu?

I rub the aloe gel into the burn and, with my other hand, assess the damage to my knee. It's not as bad as it feels. I can see the splinter piece through the skin on my kneecap-a good sign. I grip the part sticking out and pull, watching the splinter move its way toward the puncture spot.

Amber grabs her wallet off the night table and hands it to me. "Here, gnaw down on Scooby. That's what I do when I have to pluck my eyebrows." She feeds the wallet into my mouth before I can object. "From what I can see," Drea runs a finger over one of Amber's eyebrows, "it looks like Scooby hasn't been nibbled in a while."

"Maybe not," Amber says, feeling between her eyebrows for fuzz. "But at least he gets some tongue action." "What's that supposed to mean?"

"If the nun habit fits . . ." Amber flops down atop my bed, knees bent, feet facing in toward one another, making the Porky Pigs of her slippers kiss.

I ignore them as best I can and resume my splinter plucking, trying to keep my hand steady so it comes out in one piece. Despite excess drool, the wallet actually helps, and, with only a few grunts, I'm able to pull the splinter out. Except there's still some dirt left under my skin. I pull a fresh lemon from my spell drawer and cut it in half with a plastic knife. Like my grandmother, who basically taught me everything I know about the art of kitchen witchery, I always keep a healthy supply of spell items on hand. You just never know when you'll need them. Like last week when Drea asked me to help her make a luck sachet for an English exam. Or the week before that when I whipped up a batch of moon soap for Amber's PMS.

My grandmother always used lemons for cuts. She would squeeze the fruit of its juice, allowing the juice to drain into a bowl, add a teaspoon of vanilla extract, mix it up, and then apply the mixture to the wound. I make an attempt to do the same, but it seems I've run out of vanilla. Weird-I could have sworn I still had a full bottle. I dip a rag into the lemon juice anyway and apply it to the wound, hoping it will suffice.

The phone rings a few minutes later. It's Keegan. She tells me she checked out the boiler room and aside from the open window-which she has since closed and locked- everything looks clear, except, she adds, for a broken pot of some sort and a weird candle left behind. I thank her and hang up, feeling somewhat relieved but still uneasy. "Keegan said everything looks okay," I say. "What were you even doing down there?" Drea asks. But I don't feel like explaining my Maura spell. "I just thought I heard something."

I hate having to lie to them, especially after everything they've been through with me. But I just don't want to say anything yet. I have no idea why Maura is, once again, haunting my nightmares. I thought I had closed the book on that. I thought I forgave myself for everything that happened. But maybe I haven't. Maybe somewhere deep inside me there's this rotting place of guilt. Maybe that's why I've been throwing up.

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7 of 7 people found the following review helpful.
As Good as the First
By Jarrod T Thompson
White is for Magic is a very interesting read. The suspense is superb, and the book is fast-paced. I have no interest in wicca, but the suspense and mystery far outweighs the embedded wicca elements. The main character, Stacey is easy to like and she brings the reader into the story. From there, Laurie Faria Stolarz does the rest by creating an intriguing plot with just the right amount of surprises and twists. The new character, Jacob, adds just enough to make this novel just a little bit more intriguing than Blue is For Nightmares.

If you like suspenseful novels, this book is very satisfying.

Great book. I am starting Silver is for Secrets today.

0 of 0 people found the following review helpful.
A bit of repetition that bothered me a little
By iLeana
I thought the first book was really good, this one is not as good good (just good). It may be that while I read it I felt I had already read this story in the first book. Did they had to kidnapped again the exact same friend that was kidnapped in book 1? That just bodered me. The story felt to easy too come up with. But don't get me wrong; it was a really fun read and I read at any chance I had. Just to give you a hint:
*Stacey and her mom have a heart to heart
*Love triangle again, well this time it looks more like a square
*There's a new guy in school. His name's Jacob and he's magical...

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Excellent series

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• Sales Rank: #15504 in Audible
• Published on: 2016-01-05
• Format: Unabridged
• Original language: English
• Running time: 177 minutes

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0 of 0 people found the following review helpful.
learned quite a handful...
By Hunting Vyolett
I have always loved the Spanish language and I have always wanted to learn it. Reading some books had helped, but coming across this one is a different experience. I was able to learn quite a handful here. With all the 101 easy to learn phrases, this book rocks. I think it has been researched well and the book was put together with much care too. The phrases are those anyone would need in a daily basis when in a Spanish speaking country. Yes, this book is quite a purchase.

0 of 0 people found the following review helpful.
looks like the interest has came to life again
By Escaline
When I had my Spanish subject, I had a hard time learning the language considering that it was just also a second language of my teacher. I was so eager to learn the language. When I saw this book, looks like the interest has came to life again. It has direct translation and even on how to pronounce the word correctly. With this book Spanish learning made easy.

0 of 0 people found the following review helpful.
Recommended!
By Rosemaiden23
As the title suggests this is The Beginners Guide to Learning the Most Common Spanish Phrases Quick and Easy with everyday phrases that are very useful. if you are interested in learning a quick list of phrases and words that will help you communicate, this is the book for you! I recommend it to anyone just learning Spanish.

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• Sales Rank: #979993 in Books
• Published on: 2014-07-14
• Original language: English
• Number of items: 1
• Dimensions: 10.90" h x .40" w x 8.10" l, .65 pounds
• Binding: Paperback
• 176 pages

Most helpful customer reviews

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For much of the 20th century the modernist city was articulated in terms of narratives of progress and development. Today the neoliberal city confronts us with all the cultural 'noise' of disorder and excess meaning. As this book demonstrates, for more than 40 years London-based writer, film-maker and 'psychogeographer' Iain Sinclair has proved to be one of the most incisive commentators on the contemporary city: tracing the emerging contours of a metropolis where the meeting of global and local is never without incident. Iain Sinclair: Noise, Neoliberalism and the Matter of London explores Sinclair's investigations into the nature of conflicting urban realities through an examination of the ways in which the noise of neoliberal excess intersects with the noise of literary experiment. In this way, the book casts new light on theorisations of the city in the contemporary era.

• Sales Rank: #7383855 in Books
• Published on: 2015-09-24
• Released on: 2015-09-24
• Original language: English
• Number of items: 1
• Dimensions: 10.07" h x .90" w x 6.32" l, 1.05 pounds
• Binding: Hardcover
• 216 pages

About the Author
Niall Martin is Postdoctoral Fellow at the Amsterdam Centre for Globalisation Studies, University of Amsterdam, The Netherlands.

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[E814.Ebook] Free PDF Open Questions: An Introduction to Philosophy, by Emmett Barcalow

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This engaging introduction to the fundamental issues of philosophy will prompt students to think actively about questions such as: Does God exist? Do we have souls? Does human life have meaning? Is there a real difference between right and wrong? and many more. Organized topically, the twelve chapters in the book focus on key philosophical questions and discuss alternative answers (solutions). Author Emmett Barcalow includes readings in every chapter by famous thinkers and well-known philosophers who offer their own answers to these questions--for example, the thoughts of Charles Darwin, Benjamin Franklin, and Mohandas K. Gandhi on the existence of God; Plato's ideas on the body/mind connection; and John Stuart Mill and Immanuel Kant's theories of right and wrong. As students progress through the text, they'll begin to think critically and decide for themselves which answers seem the most reasonable to them. Definitions and other relevant information are placed in the margins for easy reference, and brain teasers--questions for class discussion and student reflection--are integrated throughout. The text also features insightful discussion and review questions at the end of each chapter and two valuable appendices: one on reading philosophy and the other on writing a philosophy paper.
The third edition adds chapter objectives; information on philosophy's subfields; a section on self-knowledge; new material on reflective equilibrium; expanded coverage of the social justification of morality; a new discussion of equal opportunity; a discussion of Feinberg's analysis of four liberty limiting principles; and more. It also adds readings by Rahula, Sartre, Russell, St. Augustine, Constant, Rousseau, and many others.

• Sales Rank: #1057731 in Books
• Published on: 2000-08-18
• Original language: English
• Number of items: 1
• Dimensions: 6.40" h x 1.10" w x 9.20" l, 1.65 pounds
• Binding: Paperback
• 528 pages

About the Author
Emmett Barcalow is at Western New England College.

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2 of 3 people found the following review helpful.
Great intro to Philosophy
By Paddywhack
I used this book last semester and ended up with an A in the class. Philosophy can be challenging with some difficult concepts to learn but this book did a great job of piecing everything together. It is a traditional type of textbook though - endless pages of nothing but text.

1 of 2 people found the following review helpful.
Good
By Haigordon
This book was in great condition when I purchased it. It was to the point and as interesting as you can make philisophy be...gave very good examples and clear understanding of what everthing means.

1 of 2 people found the following review helpful.
Ugh
By Sarah
This book is horribly biased. Super focused on religious teachings. It should be called Loaded Questions instead of Open Questions.

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[E354.Ebook] Download Avionik und Flugsicherungstechnik: Einf�hrung in Kommunikationstechnik, Navigation, Surveillance (German Edition), by Holger Fl�

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Das Buch spannt den Bogen von modernen Technologien zur Flugsicherung über die wesentlichen Avioniksysteme (Kommunikation, Navigation, Surveillance) sowie die bordautonome Energieversorgung bis hin zur Integration der Systeme im Flugzeug. Der Autor legt Wert auf die Einbindung der vorgestellten Funktionsblöcke in das System Flugzeug bzw. in das System Luftfahrt: Er behandelt sowohl Funktion und Aufbau der Teilsysteme als auch deren Einbindung in die Avionikumgebung des Flugzeugs und in die Bodeninfrastruktur. Ein weiteres Thema sind zulassungsspezifische Fragestellungen. Zum Verständnis notwendige nachrichtentechnische Kenntnisse werden komprimiert wiederholt. Der Lernerfolg wird durch Definition von Lernzielen, Verständnisfragen und Beispielaufgaben sichergestellt.

 Die 2., komplett durchgesehene Auflage erweitert vor allem die Ausführungen zur Zuverlässigkeit von Flugzeugsystemen und lässt aktuelle Entwicklungen wie etwa SESAR in den Text einfließen.

• Sales Rank: #12995798 in Books
• Published on: 2013-02-06
• Original language: German
• Number of items: 1
• Dimensions: 9.61" h x .88" w x 6.69" l, .0 pounds
• Binding: Hardcover
• 371 pages

From the Back Cover

Das Buch spannt den Bogen von modernen Technologien der Flugsicherung über die wesentlichen Avioniksysteme (Kommunikation, Navigation, Surveillance) sowie die bordautonome Energieversorgung bis hin zur Integration der Systeme im Flugzeug. Der Autor legt Wert auf die Einbindung der vorgestellten Funktionsblöcke in das System Flugzeug bzw. in das System Luftfahrt: Er behandelt sowohl Funktion und Aufbau der Teilsysteme als auch deren Einbindung in die Avionikumgebung des Flugzeugs und in die Bodeninfrastruktur. Ein weiteres Thema sind zulassungsspezifische Fragestellungen. Zum Verständnis notwendige nachrichtentechnische Kenntnisse werden komprimiert dargestellt. Der Lernerfolg wird durch Definition von Lernzielen, Verständnisfragen und Beispielaufgaben sichergestellt.

Die 2. Auflage erweitert vor allem die Ausführungen zur Zuverlässigkeit von Flugzeugsystemen und lässt aktuelle Entwicklungen wie etwa SESAR in den Text einfließen.

Der Inhalt

 

Einleitung.- Grundlagen der Flugsicherung.- Zertifizierungs- und Zulassungsaspekte.- Gemeinsame Aspekte der Avionik und der Flugsicherungstechnik.- Radionavigation.- Surveillance.- Kommunikationstechnik.- Bordautonome Energieerzeugung und –verteilung.- Avionik-Busse.- Flugzeugsensoren.- Flugzeugsysteme.- A Nachrichtentechnische Grundlagen.

 

Die Zielgruppen

Studierende und Dozenten an Universitäten, TH’s, FH’s der Studiengänge Luft- und Raumfahrttechnik, Nachrichtentechnik, Informatik/Telematik und  Praktiker der Nachrichtentechnik in der Luftfahrtindustrie  

Der Autor

Holger Flühr studierte Elektrotechnik an der Uni Karlsruhe. Promotion an der TU Graz. Mehrere Jahre Entwicklungsleiter für keramische HF-Module bei EPCOS, Deutschlandsberg.

Er hat seit 2003 die Professur für Avionik und Flugsicherungstechnik am Studiengang Luftfahrt / Aviation (FH JOANNEUM Graz) inne und lehrt dort die Bereiche Elektrotechnik, Nachrichtentechnik sowie Avionik & Flugsicherungstechnik.

About the Author

Holger Flühr studierte Elektrotechnik an der Uni Karlsruhe. Promotion an der TU Graz. Mehrere Jahre Entwicklungsleiter für keramische HF-Module bei EPCOS, Deutschlandsberg.

Er hat seit 2003 die Professur für Avionik und Flugsicherungstechnik am Studiengang Luftfahrt / Aviation (FH JOANNEUM Graz) inne und lehrt dort die Bereiche Elektrotechnik, Nachrichtentechnik sowie Avionik & Flugsicherungstechnik.

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