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Adventures of Tintin: The Castafiore Emerald, by Herge
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- Sales Rank: #2377415 in Books
- Published on: 1981-01-01
- Dimensions: 11.65" h x .51" w x 8.66" l,
- Binding: Hardcover
- 62 pages
Review
The Adventures of Tintin (also known as The Adventures of Tintin: The Secret of the Unicorn[4] in the United Kingdom) is a 2011 American performance capture 3D film based on The Adventures of Tintin, a series of comic books created by Belgian artist Herg� (Georges Remi). Directed by Steven Spielberg, produced by Peter Jackson, and written by Steven Moffat, Edgar Wright and Joe Cornish, the film is based on three of the original comic books: The Crab with the Golden Claws (1941), The Secret of the Unicorn (1943), and Red Rackham's Treasure (1944).[5]
Spielberg first acquired rights to produce a film based upon the Adventures of Tintin series following Herg�'s death in 1983, and re-optioned them in 2002. Filming was due to begin in October 2008 for a 2010 release, but release was delayed to 2011 after Universal opted out of producing the film with Paramount, who provided $30 million on pre-production. Sony chose to co-produce the films. The delay resulted in Thomas Sangster, who had been cast as Tintin, departing from the project. Producer Peter Jackson, whose company Weta Digital is providing the computer animation, intends to direct a sequel. Spielberg and Jackson also hope to co-direct a third film.[6] --Wikipedia
Most helpful customer reviews
1 of 1 people found the following review helpful.
The one where nothing happens
By Keris Nine
After the personal drama that lead to the creation of Tintin in Tibet, one of Tintin's least typical but finest adventures, you'd be forgiven for thinking that Herg� had hit some kind of creative block by the time it came to writing its follow-up. If that's the case then The Castafiore Emerald is the comics' equivalent of Fellini's 8�, the artist gathering together a huge cast of familiar characters, and without having recourse to the formula of the conventional narrative format, knowingly and self-reflexively have them run through the standard old routines and mannerisms. Nothing significant seems to happen, but it's still a hugely entertaining experiment that does open-up and shed some light on the creative process.
The familiar process of running jokes are the narrative thread that links everything together in The Castafiore Emerald when the Milanese opera diva famous for her rendition of the Jewel Song from Faust ("Ah, my beauty past compare, these jewels bright I wear...") arrives at short notice at Captain Haddock's Marlinspike manor, maidservant, accompanist and jewels in tow, to say nothing of journalists looking for a scoop on a potential romance between the diva and the captain. Poor Haddock has to endure great humiliation, not only on account of being laid-up in a wheelchair after an accident with a broken step on the main staircase (it's the services of stonemason Mr Bolt who is called on continually in this book rather than Mr Cutts the butcher, although of course he gets in on the act), but having his name constantly amusingly mispronounced by Bianca Castafiore (Captain Bartok, Captain Hammock, Captain Hassock).
That much, with the usual reliable contributions and misunderstandings from Jolyon Wagg, Professor Calculus and Thompson and Thomson, is familiar with any regular Tintin adventure, but it almost becomes the whole story here. Rather fascinatingly, despite Tintin being alert to dangers from a nearby gipsy encampment, unknown prowlers and suspicious behaviour within the household characters, the suspected theft of Castafiore's jewels ("Mercy, my jewels!") constantly turn out to be false alarms. Even Tintin seems bewildered that he's not jetting off across the globe on the trail of a major conspiracy (one suspects that he already has his suitcase packed for this eventuality).
One can see that Herg� is exploring the mechanics of his craft, delighting once again with the range and possibilities afforded by these characters he has created and is examining them to see how they would function in relation to everyday events. Unsurprisingly, even without yetis, gangsters, secret police, smugglers and international drug-dealer cartels to contend with, they all prove to be every bit as entertaining in "real life".
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